Anton Ginzburg – End of Perspective
Anton Ginzburg (b. 1974, St. Petersburg, Russia) is a New York-based artist, known for his films, sculptures, paintings, and text-based printed work investigating historical narratives and poetic studies of place, representation, and post-Soviet identity. He earned a BFA from The New School’s Parsons School of Design and MFA degree from Bard College, Milton Avery Graduate School of Arts, Annandale-on-Hudson, New York. His work has been shown at the 54th Venice Biennale, the Blaffer Art Museum at the University of Houston, Southern Alberta Art Gallery in Canada, Palais de Tokyo in Paris, the San Francisco Museum of Modern Art, White Columns in New York, Lille 3000 in Euralille, France, and the first and second Moscow Biennales. His films have been screened at the Whitechapel Gallery in London, Rotterdam International Film Festival (IFFR), Dallas Symphony Orchestra (Soluna), Nasher Sculpture Center in Dallas, Les Rencontres Internationales in Paris, Haus der Kulturen der Welt in Berlin and New York Film Festival/Projections among others.
The installation premieres a two-channel video End of Perspective and several other new works. Ginzburg explores the issues of representation, historical lineage and materiality in relation to current technology.The exhibition focuses on the contemporary extension of the human eye by means of technology and the resulting dematerialization of the body, the hybrid gaze of the human and the machine. The footage for End of Perspective was filmed by two drones flying above Dutchess County. Exploring the formal possibilities of airborne camera movements and two-channel editing, End of Perspective offers a transcendent experience of nature as it is observed by the mechanical Other. The mechanical gaze of the camera is returned onto the machine itself, as the two drones view each other. Meanwhile, the representation of the landscape of the Hudson River Valley, the site that was historically definitive for American romanticism in landscape painting in mid-19th century, is activated by aerial points of view of the drone technology.